Friday, May 28, 2010

Sacred Stone : Crystals and Collectibles

Ahhh… Gustav Schindler and Anne Sherwood have created a place of calm reflection and nurturing peace where you can find just the right gift for a loved one – or yourself.

When entering the Sacred Stone Gallery in the Hollywood Riviera, one feels immediately at home - but this isn’t home; this is a magical cave of gargantuan crystals, faceted touchstones and welcoming smiles.

clip_image002

The consummate Californian is the child who purchases his first surf board at age seven. A Torrance native, young Mr. Schindler was just such a lad, eager to live life to the fullest, and always first in line for excitement.

Drafted into the army at the age of 19, Gustav saw Vietnam as a whole new world filled with marvels and the unusual. It offered him new horizons and personal growth which he took to heart, both business-wise and spiritually. Seeking adventure, he volunteered for Riverboat Patrol duty knowing it was one of the more dangerous jobs during the war. For most of us, the mention of war-torn Saigon still arouses dark memories, yet for others it provided opportunity. During his tour, Gustav noticed that items from the United States were in great demand among the Asian allies, while the reverse was true for him; religious carvings and curios fascinated Gustav. Vietnam had exposed him to exotic, eastern artifacts and started in him a passion for collecting and trading.

Upon his return to the States, Gustav attended UCLA then went to work for McDonald Douglas as an exotic metals specialist. He continued his studies of Persian rugs, cloisonné, and American Indian artifacts, all the while adding to his personal collection. During the ‘70s, while living in Kauai, Gustav spent time at a Sufi healing camp studying their traditions and way of life. This is where he first became acquainted with the use of crystals as healing tools, giving his passion for collecting even more impetus.

When the aerospace corporation folded in the 1990s, Gustav used the lay-off as a chance to start his own healing practice in Palos Verdes Estates at the Malaga Cove Plaza. Working seven days a week, Gustav’s efforts quickly brought success, though his passion for collecting never waned despite the heavy demand for his time. Soon he realized he was outgrowing his 3000 square foot home. He simply had too many relics and too little space in which to store them.

About this time, Gustav met Anne Sherwood, a fellow crystal l over. She had escaped the harsh 102_1481winters of upstate New York, trading them for Californian sunsets and hoping to find like-minded souls in Los Angeles. Among her many talents, she had minored in Geology in college and managed a retail store. Small wonder that Anne’s mineral knowledge and Gustav’s ever expanding collection struck a harmonious bargain and the two decided to open the Sacred Stone Gallery in 2002. Gustav would have the freedom to travel and meet with traders and private customers, while Anne would have the opportunity to create the sanctuary she had always dreamed of during those icy New York winters.

The first item to be moved into the store was a one ton Shivalingam - a naturally occurring, smooth, elliptical shaped rock from the Narmer River in central India where it is considered to be a sacred stone, giving the store its name. Though it is for sale, it’s not going anywhere fast. “When you weigh 2000 pounds, you get to be where you want” grins Anne. This rock is a gigantic version of the sacred stones seen in the Indiana Jones movie, ‘Temple of Doom’. She shows me a few of the many pocket-sized treasures of amber, tektites of meteoric glass, labradorite, garnet, one-of-a-kind pieces of jewelry and imported statuary that can be found here. “But the customers are the best part,” she beams. “Our clientele is an interesting lot bringing with them knowledge, experience and appreciation for what we offer. Visitors often stop by just to breathe in a bit of tranquility and beauty and leave feeling better. We love to share that with others.”

Store hours are 10am to 6pm, Monday to Friday, and noon-6pm on Saturday & Sunday.

Located at 1832 South Elena Avenue, Redondo Beach, the store’s website is sacredstonegallery.com and the phone number is 310.378.8866.

Go have a complimentary cup of tea and see for yourself. You’ll be glad you did.

logo_chewn pencil

Monday, May 24, 2010

The Ceramicist

Mica, the Pearl Cockatiel, comments while Lyn-Rae and Jim Ashley tell me about their three children: the architect, the pilot and the graphic designer. Lyn-Rae had been explaining that painting had become difficult with little ones at home. These early circumstances of her artistic pursuits were initially what led her to ceramics.

DSC00074 Through a series of classes and meetings with other artists in Torrance and Palos Verdes Lyn-Rae started throwing clay on the potter’s wheel. She sampled different clays and even made her own coloured porcelain by kneading oxide powders into it. Ever trying new things she found she liked the results of burnishing pieces with a smooth stone or stick (or even a ‘Sharpie’, in a pinch!) This is done when the piece is not quite – but almost – dry; a state potter’s have nick-named “black hard”.

All clay must be fired if it is to last but there are many ways to ‘cook’ it. Through experimentation Lyn-Rae has come up with an ingenious method of achieving colored tones on top of the muted shine using… seaweed!

After the piece is dried, rubbed and wrapped in seaweed it is placed in a clay box called a “sagger” and that, in turn, goes into the kiln. Before the clay gets to full “vitrification” (the hardest the clay will get without melting) Lyn-Rae turns off the heat - somewhere between 1600 & 1800º F and lets it ‘simmer’ for most of a day in her home kiln. The final step is to wax the outside of the piece, giving the delicate firing effects more contrast and completing the smoothing process. “One never knows what beauty will be revealed when the kiln is opened.”

The Ashley’s home is generously decorated with these useful and elegant artifacts, some looking a bit like Wedgwood, some reminiscent of Japanese Raku, all of them with a touch of mystery. They blend well with Javanese keepsakes from their travels in Indonesia. Jim, a flight test engineer, was sent there for extended visits to help with aircraft certification flight testing standardization and Lyn-Rae went with him. They both fell in love with the culture, the art and the food. “Even the little things are aesthetically beautiful there, from the extra care given to them.” Even the spiritual ideas of Java are intriguing; apparently, people in that part of the world believe that evil spirits only travel in straight lines so they place a narrow blockage in doorways that can be stepped around but will keep out these offending entities.

Lyn-Rae and her husband also enjoy sailing and make it out twice a week with friends, weather permitting. For thirty-seven years, the Ashley’s have lived on Navajo Place, a single lane road where homes look out over Los Angeles… orange textures by day, twinkling lights through the eucalyptus trees at night – an enviable lifestyle, indeed. Mica, the cockatiel, agrees… from his perch he thinks he can almost see the airport.

logo_chewn pencil